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8 January 1836 – 25 June 1912. Most renowned painters.

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EYCK, Jan van
Adoration of the Lamb (detail)

ID: 32307

EYCK, Jan van Adoration of the Lamb (detail)
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EYCK, Jan van Adoration of the Lamb (detail)


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EYCK, Jan van

Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.   Related Paintings of EYCK, Jan van :. | The Virgin of Chancellor Rolin (detail) dsgs | Erythraean Sibyl | The Ghent Altarpiece: Singing Angels | Altarpiece of Ghent | The Madonna with Canon van der Paele |
Related Artists:
Jacopo Zanguidi Bertoia
Jacopo Bertoia, also known as Giacomo Zanguidi or Jacopo Zanguidi or Bertoja, (1544 - ca. 1574), was an Italian painter of a late-Renaissance or Mannerist style that emerged in Parma towards the end of the 16th century. He was strongly influenced by Parmigianino. Born in Parma, he apparently studied in Bologna with Sabatini. His masterpiece is the Sala del Bacio, in the Palazzo del Giardino in Parma. He also helped decorate the Sala di Orfeo in the same palace. He was part of the team that decorated the walls of the Oratorio del Gonfalone (Entry into Jerusalem) in Rome. He was commissioned by Cardinal Alessandro Farnese in 1572-1573 to paint galleries (Sale del Giudizio, della Penitenza, dei Sogni, as well as the Anticamera degli Angeli) of the Villa Farnese in Caprarola, where he replaced the role of Taddeo Zuccari.
Domenico Puligo
(1492-1527) was an Italian painter of the Renaissance, active in Florence. His real name was Domenico di Bartolommeo Ubaldini. He was trained by Ridolfo Ghirlandaio, but acquired a style consistent with his contemporary Andrea del Sarto. He painted a Vision of Saint Bernard altarpiece, now in Walters' Gallery in Baltimore. He was also in demand for portraits. He is featured in Giorgio Vasari's Vite or biographies of artists. He excelled as a portrait painter. He befriended Andrea del Sarto ane worked with Ridolfo Ghirlandaio. His brother, Jacone Puligo was also a Renaissance painter.
Louise Jopling
(16 November 1843 - 19 November 1933) was an English painter of the Victorian era, and one of the most prominent women artists of her generation. Louise Goode was born in Manchester, fifth child of railway contractor T. S. Goode. She married at seventeen to civil servant Frank Romer. The Baroness de Rothschild, a connection of Romer's, encouraged Louise to pursue and develop her art. In the later 1860s she studied in Paris with Charles Joshua Chaplin and Alfred Stevens, and first exhibited her work at the Salon. She entered works into the Royal Academy shows, 1870-73 (as Louise Romer).






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